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    <title>Photojournale : Photo documentary and photo journal stories from around the world - Unquiet Places | Jewish Heritage in Poland Today</title>
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    <description><![CDATA[This project is a documentation of how the legacy of the Holocaust continues to confront us more than 60 years later ? in unexpected forms and venues ? and what that legacy is doing to the meanings of Jewishness.<br />
Photo documentary story / Photojournal by US photographer  Soliman Lawrence]]></description>
    <pubDate>Wed, 15 Apr 2026 15:04:30 GMT</pubDate>
    
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      <title>037</title>
      <link>http://bladepicturecompany.com/details.php?image_id=1955</link>
      <pubDate>Fri, 02 Nov 2007 17:24:36 GMT</pubDate>
      <description><![CDATA[Dining room in Klezmer Hois, one of the Jewish-themed restaurants in Kazimierz, Krakow.<br />
<br />
--------------------------------------------------------------<br />
Before World War II, Jews made up 10% of the Polish population and more than 50% of many small towns; one in three people in Warsaw was a Jew. Similarly, Kazimierz, the Jewish quarter of Krakow since the middle ages, was home in 1939 to 45,000 Jews.<br />
<br />
But while Nazi extermination and subsequent Soviet brutalities emptied Poland almost completely of Jews, the void that was left behind has become the site of a sudden boom in commercial ?Jewish culture.? For some this new growth can seem parasitic, systematic of the rise of capitalism and consumer culture after communism. But what appears at first glance to be a tourist Disneyland hides one country?s ? and two peoples? ? attempts to come to terms with the traumatic past.<br />
<br />
Popular interest in Jewish culture among local non-Jews ranges from a genuine intention to restore and maintain the remains of Jewish heritage, to the opportunistic drive to profit from the sale of an entirely virtual Jewish world. Jews, who flock to Poland seeking lost pasts, both horrific and nostalgic, find themselves accidental tourists, with the accompanying ?baggage? of an industry based on comfort, leisure, and a packaged encounter with difference. What becomes of the memory of tragedy, the history of violence and hatred, in a global commercial age, when history and culture are toured, bought, sold, consumed?<br />
 <br />
<br />
If you are interested in this project or, in particular, if you can help support the project, please let me know. Photographers? please feel free to give me advice on how to find support for this project. You can email me at solilawrence(at)yahoo(dot)com]]></description>
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      <title>036</title>
      <link>http://bladepicturecompany.com/details.php?image_id=1954</link>
      <pubDate>Fri, 02 Nov 2007 17:22:58 GMT</pubDate>
      <description><![CDATA[Israeli tourists visit the Remuh Synagogue, the only Synagogue still in use in Krakow.<br />
<br />
_________________________________________<br />
<br />
Before World War II, Jews made up 10% of the Polish population and more than 50% of many small towns; one in three people in Warsaw was a Jew. Similarly, Kazimierz, the Jewish quarter of Krakow since the middle ages, was home in 1939 to 45,000 Jews.<br />
<br />
But while Nazi extermination and subsequent Soviet brutalities emptied Poland almost completely of Jews, the void that was left behind has become the site of a sudden boom in commercial ?Jewish culture.? For some this new growth can seem parasitic, systematic of the rise of capitalism and consumer culture after communism. But what appears at first glance to be a tourist Disneyland hides one country?s ? and two peoples? ? attempts to come to terms with the traumatic past.<br />
<br />
Popular interest in Jewish culture among local non-Jews ranges from a genuine intention to restore and maintain the remains of Jewish heritage, to the opportunistic drive to profit from the sale of an entirely virtual Jewish world. Jews, who flock to Poland seeking lost pasts, both horrific and nostalgic, find themselves accidental tourists, with the accompanying ?baggage? of an industry based on comfort, leisure, and a packaged encounter with difference. What becomes of the memory of tragedy, the history of violence and hatred, in a global commercial age, when history and culture are toured, bought, sold, consumed?<br />
 <br />
<br />
If you are interested in this project or, in particular, if you can help support the project, please let me know. Photographers? please feel free to give me advice on how to find support for this project. You can email me at solilawrence(at)yahoo(dot)com]]></description>
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      <title>035</title>
      <link>http://bladepicturecompany.com/details.php?image_id=1953</link>
      <pubDate>Fri, 02 Nov 2007 17:20:53 GMT</pubDate>
      <description><![CDATA[Crowds watchinig the final concert of the 17th Annual Jewish Culture Festival.<br />
<br />
_________________________________________<br />
<br />
Before World War II, Jews made up 10% of the Polish population and more than 50% of many small towns; one in three people in Warsaw was a Jew. Similarly, Kazimierz, the Jewish quarter of Krakow since the middle ages, was home in 1939 to 45,000 Jews.<br />
<br />
But while Nazi extermination and subsequent Soviet brutalities emptied Poland almost completely of Jews, the void that was left behind has become the site of a sudden boom in commercial ?Jewish culture.? For some this new growth can seem parasitic, systematic of the rise of capitalism and consumer culture after communism. But what appears at first glance to be a tourist Disneyland hides one country?s ? and two peoples? ? attempts to come to terms with the traumatic past.<br />
<br />
Popular interest in Jewish culture among local non-Jews ranges from a genuine intention to restore and maintain the remains of Jewish heritage, to the opportunistic drive to profit from the sale of an entirely virtual Jewish world. Jews, who flock to Poland seeking lost pasts, both horrific and nostalgic, find themselves accidental tourists, with the accompanying ?baggage? of an industry based on comfort, leisure, and a packaged encounter with difference. What becomes of the memory of tragedy, the history of violence and hatred, in a global commercial age, when history and culture are toured, bought, sold, consumed?<br />
 <br />
<br />
If you are interested in this project or, in particular, if you can help support the project, please let me know. Photographers? please feel free to give me advice on how to find support for this project. You can email me at solilawrence(at)yahoo(dot)com]]></description>
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      <title>034</title>
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      <pubDate>Fri, 02 Nov 2007 17:19:09 GMT</pubDate>
      <description><![CDATA[Two men peer through a fence in Kazimierz, Krakow.<br />
<br />
________________________________________<br />
<br />
Before World War II, Jews made up 10% of the Polish population and more than 50% of many small towns; one in three people in Warsaw was a Jew. Similarly, Kazimierz, the Jewish quarter of Krakow since the middle ages, was home in 1939 to 45,000 Jews.<br />
<br />
But while Nazi extermination and subsequent Soviet brutalities emptied Poland almost completely of Jews, the void that was left behind has become the site of a sudden boom in commercial ?Jewish culture.? For some this new growth can seem parasitic, systematic of the rise of capitalism and consumer culture after communism. But what appears at first glance to be a tourist Disneyland hides one country?s ? and two peoples? ? attempts to come to terms with the traumatic past.<br />
<br />
Popular interest in Jewish culture among local non-Jews ranges from a genuine intention to restore and maintain the remains of Jewish heritage, to the opportunistic drive to profit from the sale of an entirely virtual Jewish world. Jews, who flock to Poland seeking lost pasts, both horrific and nostalgic, find themselves accidental tourists, with the accompanying ?baggage? of an industry based on comfort, leisure, and a packaged encounter with difference. What becomes of the memory of tragedy, the history of violence and hatred, in a global commercial age, when history and culture are toured, bought, sold, consumed?<br />
 <br />
<br />
If you are interested in this project or, in particular, if you can help support the project, please let me know. Photographers? please feel free to give me advice on how to find support for this project. You can email me at solilawrence(at)yahoo(dot)com]]></description>
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      <title>033</title>
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      <pubDate>Fri, 02 Nov 2007 17:17:08 GMT</pubDate>
      <description><![CDATA[An Israeli flag held above the crowd during the final concert of the 17th Annual Jewish Culture Festival.]]></description>
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      <title>032</title>
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      <pubDate>Fri, 02 Nov 2007 17:14:26 GMT</pubDate>
      <description><![CDATA[People dances Jewish dances during the final concert of the 17th Annual Jewish Culture Festival.]]></description>
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      <title>031</title>
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      <pubDate>Fri, 02 Nov 2007 17:12:20 GMT</pubDate>
      <description><![CDATA[Tourists dining at "Once Upon A Time In Kazimierz", one of the Jewish-themed restaurants in Kazimierz, Krakow.]]></description>
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      <title>030</title>
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      <pubDate>Fri, 02 Nov 2007 17:10:09 GMT</pubDate>
      <description><![CDATA[Tourists at the gates of Auschwitz.]]></description>
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      <title>029</title>
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      <pubDate>Fri, 02 Nov 2007 17:08:42 GMT</pubDate>
      <description><![CDATA[Jewish survivor of the Holocaust in Kazimierz, Krakow.]]></description>
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      <title>028</title>
      <link>http://bladepicturecompany.com/details.php?image_id=1946</link>
      <pubDate>Fri, 02 Nov 2007 17:07:13 GMT</pubDate>
      <description><![CDATA[A tourist purchases two Jewish figurines from a vendor in Krakow's main square.]]></description>
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